1 18th Century
Chair: Peter H. Smith

14.00     Lauri Suurpää
Heroic Duty and Tragic Love in the Third-Act Quartet of Mozart’s Idomeneo

14.30     Janet Schmalfeldt
Beethoven’s ‘Violation’: His Cadenza for the First Movement of Mozart’s D minor Piano Concerto

15.00     Kerri Kotta
Form as Interaction between Harmonic Prolongation and Hypermeter

15.30     Discussion

15.45     coffee break


2 19th Century
Chair: Lauri Suurpää

16.15     Anne Hyland
‘Form’ and ‘Formung’ in Schubert’s Variations on a French Air, D624: Voice-Leading as Structure

16.45     Peter H. Smith
‘Hausmusik’ for ‘Cognoscenti’: Some Formal Characteristics of Schumann’s Late-Period Character Pieces for Instrumental Ensembles

17.15     Julian Horton
Formal Function and Voice Leading in the First Movement of Bruckner’s Eighth Symphony

17.45     Discussion

>18.30