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Session A: Form Analysis

Saturday 20 September

1 1750-1800
Chair: Giorgio Sanguinetti

10.00     Wayne Petty
Some Multimovement Designs in C.P.E. Bach’s Late Keyboard Sonatas

10.30     Alexander Morgan
The Interdependence of Schemata and Form in the Motto Symphonies of Haydn

11.00     Joseph Chi-Sing Siu
Hypermetrical Shift in Haydn’s Late Monothematic Sonatas

11.30     Matthew Boyle
Textual Rotations and the Two Tempo Rondò

12.00     lunch break

2 1800-1850
Chair: Lauri Suurpää

14.00     René Rusch
Schubert’s Four-Key Expositions? Form and Tonal Design in Three Sonata Form Movements from D125, 575, and 667 (1815-19)

14.30     Jon-Tomas Godin
Schubert and Sonata Rhetoric

15.00     Joyce Yip
The Roles of the Coda in Selected Mazurkas of Chopin

15.30     Steven Vande Moortele
The Potpourri Overture as Musical Form

16.00     coffee break      

3 1850-1900
Chair: Julian Horton

16.30     Meghan Naxer
Rotations, Interlacing, and Motivic Transformation in Franck’s Symphony in D minor, Op. 48

17.00     Chelsey Hamm
Musical Stagnation and Expressive Failure in Smetana’s Piano Trio in G minor

17.30     Carissa Reddick
Nested Forms and Hierarchical Function in Sonata Forms from the Late 19th Century

18.00     Caitlin Martinkus
Richard Strauss and the Classical Cadence